民国时期。京城四醉汉赵大满（姜武）、产愉钱二宝（柳云龙）、产愉孙三强（张悦）和李标（何冰）目睹进步知识分子及其女儿被杀于街头，愤慨打死凶手，闯下大祸——死者是京城汉奸恶霸姜十七的独子。四人逃避姜家众打手时，意外收到姜府总管（任鸣）送来的钞票和姜府地形图，虽不解其用意，但决定立刻杀掉姜十七。行动一刻，赵标得知老婆孩子被姜十七绑架，孤身来到姜府身陷囹圄，赵大满则因极度恐慌躲进一家小店甘被风流老板娘收留。钱二宝与张三强等不来兄弟回头寻找，再遇姜家打手，危急十分得姜十七徒弟欧阳洁丹（袁茵）相救，才知姜府总管用意，他原想借刀杀人好霸占姜家财产。三人其后来到钱二宝家乡，但姜家众打手也尾随而至，一场恶战随即展开。
伊娃卡斯迪
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
朱七
回复 :少年岳飞和几个小伙伴生活在岳家庄。 北宋年间，岳家庄开学堂了，学堂的先生是名震天下的周侗。周侗很喜欢岳飞，收岳飞为徒，教他武功。其他孩子也想练武，周侗的孙女周遥当了他们的“教头”。汤阴县令的儿子潘骏也进了学堂，和岳飞处处为敌。 周侗昔日的徒弟史文恭从梁山死里逃生，潜入汤阴，阴差阳错收潘骏为徒。史文恭绑架了周遥，逼周侗交出所有武功典籍。 周侗受伤后，岳飞带领牛皋等小伙伴巧布机关，把史文恭和几个手下打得屁滚尿流。
迈克尔勃顿
回复 :挚爱消逝，年轻女孩茱莉的生活困在死寂的余波中。那位迷人的神秘男子停驻在她行经的每一个角落，让她一再复访与他有关的人事，贪恋两人曾经的亲密相依、控制臣服，试图为狂暴芜杂的昔日关系寻获一个明晰的解答。毕业在即，她的电影创作依旧备受挑战，遥遥无期。人生如戏，戏如人生，她能否攀伏情感的藤蔓，让这段刻骨铭心的初恋成为滋养作品的坚实养分？时隔两年，英国编导琼安娜霍格率领蒂尔达·斯文顿等原班人马回归，盛邀观众再探敏感纤细的情感世界，打造一出真挚饱满的杰出续作。序幕拉起，虚实交叠，行过漫漫旅程，当那部同名毕业作跃然于银幕之上，彷若泄进生活的一缕微光，那些曾经疼痛交织的细节，终将成为助燃人生的点点星火，也是青春年华的恒久纪念。
