1953年秋天,海考骇人艾玛在父亲死后终于离开严厉的母亲,海考骇人来到一个小村庄当小学老师。他与当地人相处很好并和音乐老师坠入情网。山村发生雪崩,吞没了音乐老师和很多村民,艾玛决定留下来,守候他们的爱情结晶。
1953年秋天,海考骇人艾玛在父亲死后终于离开严厉的母亲,海考骇人来到一个小村庄当小学老师。他与当地人相处很好并和音乐老师坠入情网。山村发生雪崩,吞没了音乐老师和很多村民,艾玛决定留下来,守候他们的爱情结晶。
回复 :The screenplay tells the story of the toxic relationship between two strong, independent women who are aware that they are alone in the world: Beatriz, who has apparently achieved everything in life that she set out to do; and Sofía, who thinks she is ready to do whatever it takes to get the life she believes she deserves.
回复 :《刺客荣耀·荆轲》以独特的视角,为观众展现了战国英雄荆轲跌宕起伏的前半生,生动形象的再现了其在“刺秦”之前的诸多经历。
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum