人走后按照封门村当地习俗，夺命需要入夜下葬，夺命棺内却莫名出现一具女尸，引得全村百姓不安。众百姓贴悬赏告示，欲征集高人道长前来镇压。神秘道长风冷清深入凶宅破阴气时，使出下斗绝技才得脱身，暴露了自己原为倒斗门淘沙司马派传人的事实。事后风冷清发现青衣女尸是设下的一个诡局。老金却用卑鄙手段威胁风冷清不得不为涉险下墓。众人穿过三层墓道间，经过重重磨难才抵达突厥王主墓，然在众人觉得取下还魂草便可成功离去时，突厥王却真的“复活”了，一场大战在所难免……
周影
回复 :雾气飘过大地，黎明时分，两个人正在前往奥德河的路上，准备钓鱼。突然，他们在泥土中发现了一具人体残骸。当他们抬起头时，恐惧袭来。一座尸体山在地平线上若隐若现。他们害怕了，逃跑并报警。前警察玛吉·克林(卡罗利妮·舒赫 饰)和侦探罗兰德·沃伊特(费利克斯·克拉默 饰)在 分隔20多年后再度联手调查此案，在调查过程中，他们面临着自己的恐惧、深渊和难以想象的痛苦。
半田浩二
回复 :
刘纯如
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
