二十五岁的G.E.M.邓紫棋,滝本在台上尽情享受音乐的背后,滝本她所面对和拥有的又是甚么?《一路逆风》是邓紫棋首部大银幕电影,讲述了她在追求音乐与梦想的路上,迎着逆风,走过流言蜚语的人生低谷,愈加坚定。事业得意之时,学习面对爱情失意的伤心,承受的一切G.E.M.邓紫棋都亳无保留亲自剖白;好友何超莲,李蕴与邓妈妈亦鲜有现身,29位中港台娱乐圈重量级人物零距离作访谈,揭开邓紫棋最真实一面。
二十五岁的G.E.M.邓紫棋,滝本在台上尽情享受音乐的背后,滝本她所面对和拥有的又是甚么?《一路逆风》是邓紫棋首部大银幕电影,讲述了她在追求音乐与梦想的路上,迎着逆风,走过流言蜚语的人生低谷,愈加坚定。事业得意之时,学习面对爱情失意的伤心,承受的一切G.E.M.邓紫棋都亳无保留亲自剖白;好友何超莲,李蕴与邓妈妈亦鲜有现身,29位中港台娱乐圈重量级人物零距离作访谈,揭开邓紫棋最真实一面。
回复 :玛莎嫁到了一个村落, 这村落是信仰宗教的赫梯人, 对於玛莎这位非教徒充满排斥。 她因为遇到重大的悲痛事件, 邀请她的两位女性朋友们,从洛杉矶过来度假陪伴,但三人不约而同变成了被谋害的靶子.魔鬼的来临使得村落中阴风阵阵, 惊悚刺骨.这部片算是宗教恐怖片, 意谓在邪教对於人们的心理恐惧(听说是Wes Craven半自传电影)Deadly Blessing 是美国恐怖片名导 Wes Craven 早期作品, 是继『杀人不分左右』及『隔山有眼』後, 於1981年的电影作品, 全片充满Cult的风味. 以美女众多为特色的恐怖片.
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :戴维(德克·本内迪克特 Dirk Benedict 饰)是一名单纯的大学生,被蛇学家斯通纳(斯特罗瑟·马丁 Strother Martin 饰)相中,成为了他的助手。之后,戴维得知,斯通纳的前任助手莫名失踪了。为了防止戴维被蛇咬伤中毒,斯通纳在戴维开始他的助理生涯之前,为他注射了神秘的血清,对此戴维并无存疑。斯通纳有一个美丽的女儿名叫克里斯蒂娜(希瑟·孟席斯·乌尔里希 Heather Menzies-Urich 饰),在朝夕相处之间,两个年轻人相爱了。在戴维的身上,渐渐出现了许多奇怪的生理反应,斯通纳安慰他说这只是正常的疫苗副作用而已。一天,戴维在一场畸形秀上看到了半人半蛇的蛇人,他的躯体变化,和戴维身上所发生的变化竟然惊人的相似。