一个在信仰与个人生活之间的冲突中挣扎的妇女必须捍卫自己,躁精以抵御一个致力于摧毁她的恶魔修女的精神
一个在信仰与个人生活之间的冲突中挣扎的妇女必须捍卫自己,躁精以抵御一个致力于摧毁她的恶魔修女的精神
回复 :Following on from the impressive Drift with its hypnotic transatlantic sequences reminiscent of Michael Snow, Helena Wittmann’s second feature is set in the Mediterranean Sea. The heroine navigates along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary Odyssey that is at once political and sensuous.
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :电视谐星保罗·鲁宾斯古灵精怪的造型,行为举像个大白痴,却又误打误撞成了大明星。