剧情简介
取材自真实诱拐犯罪案件的《愉虐游戏》，泰式该片描述17岁少女薇琪半夜翘家跑趴，泰式巧遇和善夫妇搭讪，转念之间的信任与鬆懈，竟使她成了狩猎游戏中的无辜祭品。剧情残酷演绎密室禁脔的绝望，虐杀与玩弄的情节揪著观众恐惧神经！
泰式按摩
取材自真实诱拐犯罪案件的《愉虐游戏》，泰式该片描述17岁少女薇琪半夜翘家跑趴，泰式巧遇和善夫妇搭讪，转念之间的信任与鬆懈，竟使她成了狩猎游戏中的无辜祭品。剧情残酷演绎密室禁脔的绝望，虐杀与玩弄的情节揪著观众恐惧神经！
无级生
回复 :故事发生在20世纪80年代，海湾市海关查扣了一个寄往香港的包裹，里面发现一件走私文物玉香笼。经过北京故宫博物院专家的考证，该文物是宫廷散落在民间的珍宝，运送北京途中被人所盗。由于事关重大，警方旋即成立调查组，按照相关线索他们终于锁定了嫌疑人，谁知嫌疑人却早已死于非命。根据相关证据，探员欧阳的准岳父——著名考古学教授司徒玉身上有着重大的嫌疑。在国法和爱情面前，欧阳不免顾虑重重。而承受巨大压力的司徒玉也吐露了解放前发生在玉香笼身上的一段隐情。案情错综复杂，而狡猾残忍的走私团伙的行踪也在警方追查下昭然若现……
黄国俊
回复 :青春靓丽的女子莫丽·哈特莉（莎拉·林德 Sarah Lind 饰）和朋友们在一家舞厅庆祝她的24岁生日，当晚她似乎受到什么神秘力量的蛊惑，整个人变得有些神志不清，无法左右自己的言行。次日一早，两名警察上门，结果在莫丽的浴室里发现两具尸体。在此之后，莫丽被诊断精神上有问题而关进了精神病院。病院的治疗并没有任何好转，莫丽的异状反而愈演愈烈。种种异象，让担任主治医师的女性开始相信这个女孩的确被恶魔附体。与此同时，病院内还住着前牧师约翰·巴罗（戴文·萨瓦 Devon Sawa 饰），他当初经历了一次刻骨铭心的失败驱魔仪式，此刻更被教廷剥夺了神父身份。医院内神秘可怕的事情愈演愈烈，约翰不得不迎接魔鬼的挑战……
秀兰玛雅
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
