今天晚上，春暖宁静笼罩着环绕村落的森林。人们入睡时，春暖森林却醒来了。在巴西北部Krahô生活的年轻人Ihjãc自从父亲去世后就一直做噩梦。他在黑暗中行走，浑身是汗，每一个脚步都小心翼翼。突然间，一阵歌声从远方传来，穿越棕榈林。这是他去世的父亲正在召唤他。为了使父亲的灵魂能够得到安息，前往亡者的国度，他必须组织一场丧葬仪式。但Ihjãc 没有履行自己的职责并且拒绝成为一名萨满。他决定逃往城市，远离他的同胞与文化。但作为一名在巴西生活的土著人，他却不得不面对艰难的现实。
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回复 :新婚之夜，清水的一方豪杰次郎长（中井贵一 饰）被迫告别妻子阿蝶（铃木京香 饰），与大政（岸部一徳 饰）、鬼吉、法印大五郎（笹野高史 饰）等一班好兄弟展开为期一年的流浪修行。几经辗转，次郎长一行回到家乡，他的名声反而更大，先后收下了石松（温水洋一 饰）和政五郎（北村一辉 饰）这样性格各异的好兄弟，还有许多人慕名投至麾下。但在辉煌之时，次郎长一种难免成为众矢之的。黑驹新兴势力胜藏（佐藤浩市 饰）野心勃勃，宿敌三马政（竹内力 饰）又卷土重来，更有内部叛徒兴风作浪，次郎长及其好友们面临巨大的考验……本片根据村上元三的原作改编。©豆瓣
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
