剧情简介
《封神劫》以宋代为背景，日本描写为争夺权位而不择手段的人性丑恶面貌，日本剧力迫人，更有影坛巨星刘永、刘雪华、赵国及莫少聪等坐镇。故事讲述宋太祖赵匡胤（王戎饰）之弟光义（赵国饰）恃建国有功，嚣张跋扈，逼杀南唐后主李煜（陈家奇饰），李之旧部李浪（刘永饰）矢誓报仇……
日本线上视频
《封神劫》以宋代为背景，日本描写为争夺权位而不择手段的人性丑恶面貌，日本剧力迫人，更有影坛巨星刘永、刘雪华、赵国及莫少聪等坐镇。故事讲述宋太祖赵匡胤（王戎饰）之弟光义（赵国饰）恃建国有功，嚣张跋扈，逼杀南唐后主李煜（陈家奇饰），李之旧部李浪（刘永饰）矢誓报仇……
陈倩倩
回复 :大卫·斯佩德扮演一位生活中并不很得意的银行职员，一次聚会中他偶遇高中时期好友Max（亚当·桑德勒 饰），Max自称目前任职于美国联邦调查局（FBI），二人经过一系列疯狂派对后，又伪造了假死亡，踏上了全新的冒险之旅。
陈瑞
回复 :14世纪的朝鲜村庄里，素来有“不可杀”的传说。暴君当政，下令收集民间铁器制造兵器，农民们没了生产物资根本无法生存，村里的老铁匠因为擅自把铁器还给农民，自己被官兵投进大牢。老铁匠在牢里绝食，临死前用泥土和打翻的饭菜捏了一个玩偶，悲痛的女儿将玩偶拿回家，做针线活时不小心刺破手指，血滴在上面，玩偶活了起来。小东西吃铁为生，越长越大，铁匠一双儿女知道，这就父亲常讲的“不可杀”。“不可杀”长成一头巨兽，受姐姐驱使，在农民起义中帮助村人对付官兵，成了农民们的致胜法宝，不过迎来和平的村民发现，已经没有足够的铁供应给“不可杀”当食物，它会吃掉他们所有的劳作工具。英雄成了隐患，为了村民们的生存，姐姐流着眼泪挺身而出，献出自己的生命和“不可杀”同归于尽。
李龙基
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
