剧情简介
为食一位小有名气的网红 在自己的影响力下 疯狂约炮 直到遇见一位疯狂的粉丝后生活发生了翻天覆地的变化...
为食神探国语
为食一位小有名气的网红 在自己的影响力下 疯狂约炮 直到遇见一位疯狂的粉丝后生活发生了翻天覆地的变化...
林姗
回复 :古时，雨夜，杀命山，同寿客栈。客栈内三教九流正闲谈吃酒，朝廷韩统领带“大内三杰” 闯入，以追查失窃国宝“龙鳞”为由，盘问众人。气氛肃杀诡异，一番口角暗战，“龙鳞”显现，然而众人的身份却都扑朔迷离起来！原来，偷盗国宝和故意让韩统领“找到”国宝的是一个人——叛军头领龙腾海！龙腾海是皇帝龙霸江的亲弟弟，龙霸江为夺皇位杀死父皇，在追杀太子龙腾海时，被韩统领放走。龙腾海逃过一劫后，决心杀掉哥哥登位。龙鳞经过龙腾海改造，已从国宝变为杀人利器，随时可置皇上于死地。同时，精于易容的龙腾海，为登皇位不惜白骨铺路、杀尽天下！一场惊心动魄的暗杀游戏，血腥上演，最终竟然呈现出神鬼南侧的诡异迷局。
刘允乐
回复 : 扎克（塞斯·罗根 Seth Rogen 饰）与米莉（伊丽莎白·班克斯 Elizabeth Banks 饰）虽然不是情侣，但他们对彼此再熟悉不过了，二人同居一室，彼此分担生活支出，唯独没有过亲密接触，因为扎克认为这会让情况变复杂，不过他们眼下面临更复杂的问题——缺钱。账单堆积如山、房子被停水停电，本欲参加感恩节高中同学聚会排遣冬夜寒意，无奈他们除了一堆通讯录一无所获，扎克无法忍受困顿的日子，向米莉提出自拍A片贩卖盈利。作为在网络上意外成名的“大内裤女郎”，米莉终于被同居好友说动。他们找来各色胸怀表演梦想的人才出镜，然而出师不利，简陋的摄影棚被强拆，扎克和米莉的关系也因二人要在镜头前亲密接触而发生了变化……
Ԭɯ
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
