中文字幕永久免费人人视频看吧
地区:法国
  类型:热血
  时间:2025-04-04 10:03:54
剧情简介

中文字幕Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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明星主演
漂亮亲戚
杨千桦
刘日曦
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安志杰

发表于6分钟前

回复 :三十四岁,十九岁,沉浸在纯真之中。在美国留学后为入学考试开办艺术学校的魅力女性文熙与未离婚的丈夫分居,并与长期恋人仁奎和尹教授自由恋爱。带来的不仅仅是夫妻之间的关系。与此同时,她的年轻学生朱元在课堂上总是只画文熙的脸。朱元小时候跟随祖母在婚礼上见到新娘文熙,一见钟情。一天,被带走的文熙在只剩两人的工作室里相爱,沉浸在无法摆脱的陶醉中…


于台烟

发表于1分钟前

回复 :20世纪30年代的上海滩时局动荡,军阀混战,民不聊生。为购买一块江湖流传的宝玉,知名商贾周成川来到莽山中的一座破庙中,与尊号“三目天师”的容易道人和同乡阿述交易,风尘女子朱玲玲则作为中间人作陪。不料正赶上大雨,众人被困在庙中。容易道人几人却告知周成川宝玉生意要在规定时辰才能交易,在交易之前,要先给周成川讲一个故事……起因是一段张督军死亡之事……周成川听的不耐烦,又觉得几个人故弄玄虚,生起疑心,决定要走,这时,警长阿顺中途闯入,以查办张督军案为由拦下周成川,周成川以为容易和警官串通,要讹诈他钱财。众人继续讲述案件和故事,亲眼目睹的有,道听途说的则添油加醋。听完故事的周成川惊恐万分,周成川之所以如此害怕,是源于一段昔日的生死恩怨……


丁爽

发表于6分钟前

回复 :故事发生在的灯红酒绿的元州街,阿红(吴家丽 饰)是出没于此的暗娼。早年间,阿红的丈夫为了救他而落下了终生残疾,为了这个家,阿红和丈夫都在努力的工作着,可是阿红的丈夫有嗜赌的恶习,所以无论阿红拿回家多少钱,都会被丈夫在赌场上输个精光。某日,阿红因为卖淫被警察逮捕了,逮捕阿红的警察一直默默的爱慕着她,于是暗中放了她一马,他一直对阿红允诺,自己存够了钱就会来娶她。阿菲和妹妹阿仪在很小的时候就失去了父母沦为孤儿,这么多年来一直过着相依为命的日子。为了能够让阿仪不挨饿,阿菲无奈之下只得出卖自己的肉体换取金钱。


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