亚洲第一成网站高清
地区:德国
  类型:剧情
  时间:2025-03-04 21:23:57
剧情简介

第53届金马奖形象短片之二——毕赣篇去年以《路边野餐》一鸣惊人、亚洲勇夺金马奖最佳新导演的毕赣,亚洲回到故乡贵州凯里拍摄,并找来偶像侯孝贤的子弟兵、亦是金马奖得主姚宏易来掌镜,用16mm摄影机打造出“日常奇迹”的感动。何谓“日常奇迹”?毕赣说他的“日常奇迹”很多,举凡孩子 出生、汽车突然能发动、太阳落山、或著饭煮熟了都是。而他对影展的形容也很奇妙:“影展就像是一个有品味的餐厅,然后这支广告像是这个餐厅的花园,裡面应该有鸟叫与花香,然后我要偷偷地放一把椅子进去,让入场的观众可以坐一坐。”毕赣在《路边野餐》有个超过40分钟、技惊四座的长镜头。这是他第一次拍广告,他很开心终于可以拍一个“特别短”的电影。结果,原定交件长度是不超过60秒,他毫无意外还是不小心“超时”了。但这支魔幻又诗意的广告,却让看过的人无不惊呼意犹未尽,期待能有延伸为一部电影的机会,甚至臆测这会不会是他下一部作品的“线索”。而这次除了毕赣的招牌诗句,歌曲方面则选用了毕晓世创作、杨钰莹演唱的〈轻轻地告诉你〉。与另外两位导演赵德胤、陈哲艺分别完成“金马53”年度广告,毕赣高兴地说:“这就像是三个人在同一个邮局写信,然后悄悄地寄给不同的人。”这回答还真像他的电影。

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明星主演
李文
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最新评论(855+)

陈晓东

发表于6分钟前

回复 :詹姆斯·莫里森(James Morrison,1932-2020年)是苏格兰最有天赋的画家之一。 安东尼·巴克斯特(弗林特)在詹姆斯因视力下降和身体状况不佳而苦苦挣扎的最后两年里,为他拍摄了影片。 结果是对这名男子及其遗产的喜爱,深情的肖像,在他的职业生涯中获得了荣耀,其中包括生动地描绘了格拉斯哥的生活,苏格兰海洋和天空的雷鸣般的肖像,冬天的巴黎以及他在北极的工作。 这部电影以Catriona Black的可爱动画和Karine Polwart的优美配乐反映了莫里森的个性和才华。


张艾文

发表于2分钟前

回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.


娄一晨

发表于8分钟前

回复 :杰克(伊安·邦纳 Ian Bannen 饰)和麦克(大卫·凯利 David Kelly 饰)做了一辈子的朋友了,彼此之间友谊十分的坚实。两人最大的梦想,就是能够赢得乐透大奖,从此过上不劳而获的生活,可惜这个梦想离他们似乎有点远,也并不太可能通过努力来实现。一天,当乐透公司宣布了中奖号码后,杰克和麦克震惊的发现,获奖者就住在他们所在的小镇之上,然而,并没有人站出来领奖。经过了细心的排查,杰克和麦克将获奖者的目标锁定在了一个名叫奈德(Jimmy Keogh 饰)的老头身上,当他们赶到奈德家时,却发现他因为兴奋过渡已经死了。一个疯狂的念头出现在了两人的脑海里,他们决定冒充奈德的身份,领取这笔奖金。


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