罗伯特·德尼罗将携手塞巴斯蒂安·马尼斯科,热血主演狮门影业喜剧新片《关于我的父亲》(About My Father)。该片由劳拉·特鲁索执导,热血特鲁索与奥斯汀·厄尔共同操刀剧本。影片根据马尼斯科与父亲的真实经历改编,讲述马尼斯科告诉他老派的意大利移民父亲萨尔沃(德尼罗饰),他要向他的纯美国女友求婚时,萨尔沃坚持要和她的父母一起过周末。两家人在一起的时候,虽然有文化冲突,而且两个家庭似乎没有什么共同点,但在周末结束时,他们成为了一家人。
罗伯特·德尼罗将携手塞巴斯蒂安·马尼斯科,热血主演狮门影业喜剧新片《关于我的父亲》(About My Father)。该片由劳拉·特鲁索执导,热血特鲁索与奥斯汀·厄尔共同操刀剧本。影片根据马尼斯科与父亲的真实经历改编,讲述马尼斯科告诉他老派的意大利移民父亲萨尔沃(德尼罗饰),他要向他的纯美国女友求婚时,萨尔沃坚持要和她的父母一起过周末。两家人在一起的时候,虽然有文化冲突,而且两个家庭似乎没有什么共同点,但在周末结束时,他们成为了一家人。
回复 :崔亨旭(刘海镇 饰)是一名经验丰富的杀手,凡是交给他的任务,他总是能够完美的将它们完成。某日,在干了一票大买卖之后,崔亨旭来到大众浴室洗澡,哪知道竟然因为踩到了肥皂摔倒,陷入了昏迷之中。此时,一直在边上暗中观察他的无名演员尹在成(李准 饰)偷走了崔亨旭的手牌,将他柜子里的财务据为己有。在医院醒来的崔亨旭失去了记忆,凭借着被交换过的手牌,他以为自己是尹在成,两人就这样在阴差阳错之下交换了身份。为了生存,崔亨旭开始打零工,因为在片场展现出了出色的身体素质和格斗技巧,而受到了导演的赏识。那边厢,尹在成发现了崔亨旭的杀手身份,并且对他的下一个目标宋恩珠(林智妍 饰)产生了感情。
回复 :大赵王朝元武十二年,魔教肆虐惑乱众生,加之时逢天灾,百姓苦不堪言。皇帝赵许命镇魔司统领张谦清剿魔教,国师莫凡告知张谦魔教总舵所处冀州。但张谦却命爱将萧震赴幽州秘密执行清剿任务,自己假意赴冀州。就这样,镇魔司四大高手萧震、花无常、宁无谋、关闯启程幽州,一场血雨腥风即将到来。
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.