推理小说家世原来到一个某都市采访当地搜查官崔刑警。崔刑警告诉世原，食用该市正发生一起和她连载的小说情节丝毫不差的连环杀人案。世原听后震惊，食用更陷入困惑。强烈的好奇心驱使她留在当地，想要揭开谜团。就在这时，和小说完全一样的第三次杀人案件发生了。当地一个名为“七星法师”的道人在一次安魂祭祀后又警告了第四起杀人案件。陷入迷宫的世原在某饭店里偶然碰到子英，并跟踪该女，发现这个女人原来曾遭受暴行，并伺机报复。事情逐渐明朗，世原从而阻止了第四起案件的发生。一切恢复正常，世原却仍然在现实与想象的空间中徘徊不定
陈苑淇
回复 :
黄光亮
回复 :这是一个现代都市女白领穿越回秦朝的喜剧爱情故事。新闻报道称，考古专家打开秦宣太后芈月的古墓，发现尸身千百年来不腐。普通都市白领孙丽惊奇的发现，新闻当中的秦宣太后芈月竟然与自己一模一样。与此同时，鬼马科学家齐博士制造出了能够时空穿越能量球，他看到新闻后惊奇的发现，秦宣太后芈月的陪葬宝石竟然能量球也是一模一样。更为巧合的是孙丽的DNA竟然和秦宣太后芈月的DNA完全相同。为了研究其中缘由，他将孙丽绑架到了实验室里，奇怪的是孙丽看到能量球时出现莫名的哀愁，正当她伸手去触碰能量球的时，自然磁场发生了强烈的错乱。醒来后，孙丽发现自己深陷燕国大牢，奇博士竟然依附在了自己右手上，她与赢稷被面临斩首，孙丽才恍然间意识到自己已经穿越回了秦朝，自己便是秦宣太后芈月，更和义渠王邂逅结缘，引发出一段爆笑爱情故事……
杨呈伟
回复 :A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
