剧情简介
剧情讲述已育有一子的人妻怡敏(林辰唏 饰)在高中时候与学妹亭亭(程予希 饰)展开了一段青涩却暧昧的同性密友期，日韩此时的她尚未意识到亭亭对她的迷恋已超出姐妹之间。直到多年后两人再次重逢，日韩那段青春的未竟之爱让两人原本平静的生活，激起了未知的波澜。
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剧情讲述已育有一子的人妻怡敏(林辰唏 饰)在高中时候与学妹亭亭(程予希 饰)展开了一段青涩却暧昧的同性密友期，日韩此时的她尚未意识到亭亭对她的迷恋已超出姐妹之间。直到多年后两人再次重逢，日韩那段青春的未竟之爱让两人原本平静的生活，激起了未知的波澜。
帅霖
回复 :故事讲述两大高手司马纵横（刘江）与洪震（罗乐林）决战，横打败震，废其武功，将他送往无我岛教化。皇极神算姚康节算出横必会称霸，但祸害武林，横恐他泄秘，要杀他灭口。节抱其女平逃至其船上，与震同被送往无我岛，途中遇风暴沉船，横以为眾人已死而安心，实则眾人已逃往一孤岛。七年后，平（梁小冰）长大，回中原向横报仇，四出散播预言图，令横忧心，横下令捕散谣者，市井小子骆风（郭富城）无辜被牵连，为要保命，风投靠红袍侠使者兀述，因而被方靖（戴誌卫）司马秋惜（刘秀萍）夫妇误为歹人加以追刹，横为从风口中查出真相，安排他到山庄内接受感化。节另有一子力行（林文龙），由朱皇抚养成人，行天生魔性，为名利权力，渐入魔道。而风则有连番奇遇，武功大进，且与平、赫连勃勃（袁洁莹）及凌湘（蔡少芬）展出一段多角恋，勃父蒙逊（梁家仁）则爱上湘母，后湘因得不到风爱，与行同流合污，祸害武林；风、...
沈圣哲
回复 :古灵精怪大大咧咧同时又有着侠骨柔肠的毛头小子李逍遥（吴磊 饰），温柔娴淑单纯善良的女娲族后裔赵灵儿（孙雪宁 饰），侠肝义胆跋扈泼辣的千金小姐林月如（徐悦 饰），不谙世事懵懵懂懂的白苗女孩阿奴（童可可 饰）。他们在曾经的故事里肩负着拯救苍生的重任，经历了波澜壮阔的生离死别，铸就了不朽的传说。如今，镜头再度回到一切因缘开始的地方——余杭镇仙剑客栈，上演了一幕幕爆笑和感动交织的新的传奇。曾经的大反派拜月教主（刘骐 饰），如今已是“拜月客栈”的老板，两家客栈临街而立，是彼此最大的竞争对手。旧的回忆，新的开始，会碰撞出怎样精彩绝伦的故事呢？
钟嘉欣
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
