信浓有一座楢山，日韩附近山村的人到了七十岁就得进楢山。六十九岁的阿玲（田中绢代 饰）还有两件事放不下：日韩一是四十五岁的儿子辰平（高桥贞二 饰）去年成了鳏夫；二是长孙袈裟吉（市川团子 饰）总是在村里人面前嘲笑自己牢固的牙齿。一年一度的祭祀日，等来了新儿媳阿玉（望月优子 饰）的阿玲狠下心在石臼上磕掉了两颗门牙。割稻子的时节，袈裟吉将怀着身孕的阿松（小笠原庆子 饰）领进了家门，并催促祖母早点进山。与袈裟吉不同，善良的辰平舍不得母亲进山。可是面对人口增加食物不足的状况，辰平别无选择，只得遵照母亲的意愿，在新年之前将母亲背上楢山……
张晓洁
回复 :
原味组合
回复 :本剧讲述了1930年初的上海，各方势力风起云涌，社会动荡，宁波的富商之女丁易青（张婧仪 饰）只身来到上海，在结识了地下工作者董红玉（曾黎 饰）、林默生（牛骏峰 饰）等人，众人在经历过1938年抗战爆发，1942年太平洋战争爆发之后，完成了上海底下隐蔽战线尤其是经济战线上 的各项革命任务，一起为了理想中的那一天，燃烧自己的青春的故事。
金贤成
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
