该片是一部中西部哥特风电影，中文字字安东尼奥·坎帕斯(《克里斯汀》)执导，中文字字讲述俄亥俄州偏远之地Knockemstiff，男主角Willard Russell绝望地想拯救濒死的妻子，不惜屈服于牺牲，而他的儿子(霍兰德)正从一个在学校被虐待的孩子成长为知道何时出手的男人，角色包括一对连环杀手夫妇、一个考验人的信仰的传教士、一个腐败的当地警长(斯坦)。时间从二战末期到1960年代，地点从南俄亥俄州乡村到西维吉尼亚。
旺福
回复 :大提琴手胡美睿（佟丽娅 饰）近一段时间经常遭到可怕幻象的困扰，她甚至听见一个女人凄厉的尖叫：“我会回来的！”。虽然担任摄影师的男友苏炫（王海祥 饰）百般安慰，但是根本无法缓解美睿的恐惧。濒临崩溃之际，美睿打电话给她的好友之一——某医院护士杨雪（刘嘉 饰），并且告诉对方纪小婉（胡蓉蓉 饰）回来的可怕消息。纪小婉是杨雪所在医院的医生冉平（立威廉 饰）的前女友，当初冉平为了给她庆生，曾叫上美睿、苏炫、杨雪等好朋友一起进山探险，结果途中遭遇了泥石流事故，小婉不幸在事故中丧生。当大家以为内心的创伤开始愈合的时候，殊不知不为人知的真相即将随着小婉的回来而浮出水面……本片根据叶聪灵的小说《实验的人生》改编。
美眉
回复 :阿富汗国会大选召开在即，为了保证大选的顺利进行，美国海军陆战队联合特种部队对辖区进行一系列彻底的清查。在某个动荡的地区，前塔利班头目艾哈迈德·沙赫趁机做大，成为了一个美国急欲除掉的眼中钉。根据线报，沙赫的武装部队隐藏在某个山区，海豹侦察小队中尉麦克·墨菲（泰勒·克奇 Taylor Kitsch 饰）带领丹尼·迪茨（埃米尔·赫斯基 Emile Hirsch 饰）、麦特·阿克塞尔森（本·福斯特 Ben Foster 饰）以及马库斯·拉特尔（马克·沃尔伯格 Mark Wahlberg 饰）三名队员前去搜寻情报。但是他们的行踪很快被当地的牧羊人发现，虽然对方是普通的平民，可却为小队提出了难题。处决牧羊人，小队将面临军事法庭的审判；释放牧羊人，这四个美国军人将可能陷入前所未有的灭顶之灾中……本片根据马库斯·拉特尔（Marcus Luttrell）的同名回忆录改编。
芭比
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
