布拉德（杰米·肯尼迪 Jamie Kennedy 饰），午夜一个生活在加州马里布市的白人孩子，午夜却痴迷于美国黑人饶舌音乐。他自认为是马里布最火爆的饶舌歌手，时常自称"B-拉德"。尽管他来自一个显赫的白人家庭，但他的言谈充满了贫民窟孩子们的俚语和黑话，仿佛自己成长在贫困社区。他幻想着过上黑帮分子般刺激的生活，这种想法深深扎根在他心中，让他家人难以忍受。布拉德的父亲比尔正在竞选加州州长，因此他积极参与为父亲的竞选活动出谋划策。然而，他的竞选口号和歌曲充斥着上流社会看不惯的语言和文化，引发了公众的不安。这种情况下，竞选团队决定采取措施，让布拉德明白他是否真的具备饶舌歌手的天赋，以及黑帮生活是否如他所向往的那般有趣。
亥儿乐队
回复 :这是一段风尘的英国历史，国王查尔斯一世的腐败激起了贵族的反抗，他们在贵族托马斯的带领下历经三年苦战，终于在1645年打败了王室军队，国王查尔斯一世被囚禁在王宫里，贵族们开始了对国王的审判，并最终把查尔斯一世送上了断头台，但是故事并没有结束，被流放的国王后世最后还是复辟了，他们对参与审判国王的贵族开始了血腥的报复。。。。。。
张勋熙
回复 :高中毕业典礼晚上，三个好友群聚，酒酣耳热之际，有人提议分享一个不为人知的秘密，而没有秘密的人，这个晚上就要想办法创造一个⋯⋯
酷龙
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
