bxbx免费高清视频
地区:台湾
  类型:神话
  时间:2025-04-24 14:17:54
剧情简介

免费Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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明星主演
黄家强
真野惠里菜
朱文
最新评论(389+)

徐千雅

发表于3分钟前

回复 :#好莱坞影讯# 列维·施瑞博尔主演的Showtime剧集《清道夫》将推出电影版!施瑞博尔将回归主演,并将与剧集运作人戴维·霍兰德共同操刀剧本,霍兰德担任该片导演。强·沃特、凯瑞斯·多西也将回归出演。该片故事将承接《清道夫》第七季,米奇继续出手,雷决心在他造成更多屠杀之前找到他并阻止他。该片计划于今年晚些时候在纽约开拍。


田欣

发表于6分钟前

回复 :奥兰多和萨乌,两名个性迥异的男孩,偶然产生交集。奥兰多充满自信,完全不因身为HIV阳性而自暴自弃;萨乌毫无自信,而且对性一知半解。他们的相遇影响彼此看待人生的方式,性也能是无拘无束的美好接触,而非掠夺侵占的予取予求。


黄喆宇

发表于4分钟前

回复 :汶川大地震时,正在龙门山深处矿山上检查民爆物品的民警赵刚和姜明全,在与外界失去联系的情况下,忠于职责,带领500多名劫后余生的群众,泅水探路、翻山越岭,历经八天八夜的艰险,终于走出绝境。


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