空空荡荡的写字楼内，星杏几乎所有的人都已下班，星杏享受属于自己的快乐夜晚，只有身心俱疲的小职员查理（Napoleon Ryan 饰）还在站在复印机前，辛辛苦苦地影印材料。在这种几近崩溃的疲劳时刻，也许咖啡是唯一能令他稍感振奋的东西。突然，一件奇怪的事情毫无征兆地发生了。一张A4纸出来，上面没有任何所需的资料，只印了一个实心黑球。查理不以为意，将这张废纸放到一边，当他放置咖啡杯时，杯子竟然掉进了A4纸的黑洞里。这奇怪的黑洞引起了查理的注意，他尝试将纸挂在自动贩卖机上，结果成功地伸进黑洞拿到了里面的饮料。这时，一个邪恶的念头闪过脑海……
何耀珊
回复 :盛世年间，妖祸横行。朝廷特设捉妖组织“缉妖司”，每个成员均需饮下妖血，用以对抗妖魔。但若无法做到心如止水，就会被妖血反噬，化为半妖。 是夜，缉妖司首领裴文德率众前往城外探寻莫名妖气。现场发现一位名为白青青的少女实则是一条巨蛇，双方缠斗之际，皇宫遭鬼王袭击，皇帝命悬一线。裴文德奉命带着妖王“内应”白青青踏上寻找鬼王的路途，一路上裴文德发现白青青原来是被妖王要挟，两人化解前嫌开始渐渐产生了一些不一样的情愫。经过重重地困难，裴文德终于找到了妖王的藏身之所，但两人间的力量差距一目了然，战斗中白青青为了救裴文德，惨死于妖王爪下。由朱少杰监制，白宇、黄蓉、姜震昊 、霹雳爷们儿等主演的大型古装玄幻电影《缉妖·法海传》。总制片人童伟，制品人王鑫亮、黄蓉，总策划郑宇，等主创人员全力加盟，学院派团队走心制作，大咖加持打造全新玄幻ip，这个暑期一定不负众望，“宇”你不见不散！
宋新妮
回复 :继三大战役后，我华东野战军奉中央之命战略包围上海。沪杭警备司令汤云甫（王斑 饰）率30万国民党军队负隅顽抗，准备与我军决战。我军根据中央指示，本着既要解放上海，又要保全城市的作战方针，将敌主力引诱至城市外围加以歼灭。方军长（丁尼 饰）和张政委（高岩 饰）为部队进城做了周密布署，我军在上海地下党负责人林凡（胡晓光 饰）配合下，攻进市区，占领了苏州河以南的广大地区。国民党军队撤守到苏州河北岸继续抵抗，残存的国民党杂牌军刘义（刘季云 饰）部，龟缩在市中心，无望地等待失败的来临。我先头部队则在市区与残存的敌人展开巷战，攻占了发电厂、市政府等重要部位，在强大的军事攻势和政治攻势下，无望的敌人终于举起了白旗......
黄翊
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
