1942年10月10日，棋武汪伪政权举行了盛大的国民政府庆典。然而，棋武一系列的军政要员遇刺事件，让身为特务处长王田香（王志文 饰）如坐针毡。在对女刺客（刘威葳 饰）的酷刑审问中，他获得了一条关键的情报——代号为老鬼的地下党已经混入了剿匪司令部。立功心切的王田香立刻向日本皇军特务机关长武田（黄晓明 饰）做了汇报。二人随即在裘庄布下了一个圈套，意图通过放出假消息逼老鬼现身。在被怀疑的对象中，有司令的侍从官白小年（苏有朋 饰）、军机处长金生火（英达 饰）、剿匪大队长吴志国（张涵予 饰）、译电组组长李宁玉（李冰冰 饰）以及行政收发专员顾晓梦（周迅 饰）。在怀疑与排查中，武田与王田香不择手段软硬兼施，然而事情的发展却出乎意料……
郝云
回复 :奸商刘有光事业遭遇窘境，为了让手中的度假村顺利开张，他不惜让一手捧红的女明星叶玉芝（陈颖芝 饰）向相关官员出卖肉体。但在一个暴雨之夜，玉芝不慎触电，虽保住性命，然而容貌尽毁。为赶在高官从国外回来前让玉芝重焕青春，刘有光遍寻名医，却无人能治。在巫医指点下，刘绑架并杀害一名少女，通过锦衣授魂术将少女的皮肤移至玉芝身上。一眉道长（林正英 饰）和一群年轻人来刘拥有的小岛上游玩，发现刘印堂发暗，厄运缠身。当晚，高官与玉芝共赴巫山，谁知……
动力火车
回复 :盼与丽为高级警官，感情要好，盼更视丽父三柴枫为亲人。盼、丽联手侦查一犯罪团，在警匪混战中虽把匪徒击杀，但亦泄露了警方卧底之身份。犯罪集团首脑大家姐派遣杀手飞及威杀卧底。飞行事时棋差一着，虽杀死卧底。但却失手为丽所杀。威得知后，决为飞报仇，遂挟持当夜总会公关之丽妹安娜，迫丽与枫去救安娜，而枫与安娜终惨死威手上，丽亦难逃厄运，在医院被威击杀。盼眼见好友为正义而惨遭灭门之祸，悲恸不已，誓找威决一死战。一场激烈大战后，盼终杀威，替丽一家报了灭门之仇。
农夫
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
