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宋佳
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
大规模进攻乐队
回复 :对胜利无比执着的篮球教练魏国铮（魏翔 饰），因违规受罚被迫进入一所特殊的学校支教。当奉行“打球就是为了赢”的自负教练，遇上一群热爱篮球但“能力值为负”的球员，在鸡同鸭讲式的日常相处和不停陷入中断的篮球训练中，濒临崩溃的魏教练会有奇招延续自己的不败神话吗？他们又能否一起负负得正，在即将到来的联赛上一路高歌猛进、披荆斩棘、勇夺冠军？电影改编自西班牙电影《篮球冠军》。
丁文琪
回复 :郑惠清（杨千嬅 饰）是一名专职导游，她的丈夫邱健章（曾志伟 饰）是一名开诊所的医师，夫妻两人貌合神离，更出现了第三者（蔡洁 饰）。惠清弟弟郑伟滔（古天乐 饰）是著名的补习老师，妻子恩恩（梁咏琪 饰）是一个事业遇到瓶颈的模特，他们的孩子“小猪”虽然听话乖巧，但是相貌奇丑跟 夫妇二人完全不同，这令伟滔十分郁闷。老父亲郑东（吴孟达 饰）在妻子过世后与夜总会妈妈桑TA姐（吴家丽 饰）相恋，这令儿子伟滔冷眼相待。父子关系恶劣之余姐姐惠清更有解不开的心结，一家人的关系变得疏远。一次鲸鱼搁浅事件终于令一家人能够共同坦然面对生活的困境。
