连环杀手的生活指南
地区:香港
  类型:短片
  时间:2025-04-24 07:24:34
剧情简介

连环Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

34129次播放
65642人已点赞
6958人已收藏
明星主演
徐崎峰
张启靓
范怡文
最新评论(974+)

杨青倩

发表于4分钟前

回复 :一场蓝藻爆发,引发了一个几百万人口城市的饮水危机。当市民们还在抢购纯净水,沉浸在没水喝的恐慌之中时,市领导立即将切肤之痛化为铁腕治污行动,于是,关闭所有污染企业,彻底淘汰落后产能的战役率先在桃江市全面打响。 自封是桃江“河长”的老厂长张清水(牛犇饰)极力要制止儿子张秋江(吕良伟饰)的非法排污行为,身患绝症后仍誓死守望“母亲河”。 桃鑫化工厂不仅是桃江市的利税大户,而且热衷公益事业,市里的幼儿园、敬老院、学校、医院都经常得到该企业的捐助。 然而,桃鑫化工厂也是远近闻名的排污大户,虽然投入数百万元购置了进口的污水处理设备,但由于污水处理成本高,谋取高额利润的个人欲望驱使他们通过地下暗道,每天深夜偷偷向桃花江江心排污,而桃江的水直通桃湖。 桃鑫化工厂董事长张秋江的父亲张清水觉察到儿子的不法行为,开始明察暗访,调查企业的排污情况,引起儿子的不满。就在父子矛盾加剧时,张清水病倒了,经诊断为癌症!但身患重病的他仍念念不忘保护桃江,他对儿子说:“我就是一名自封的河长”。 终于,不堪重负的桃湖蓝藻爆发,引起了全市几百万人的水危机。市政府和环保部门在采取紧急措施解决市民饮水问题的同时,果断决定关闭、淘汰、转产所有污染企业,市长黄建华对企业家们说:“如果群众连干净的水都喝不上,我们赚那么多钱干什么?如果桃湖死了,我们就是千古罪人!” 为了彻底阻止桃鑫化工继续排污,张清水带病在儿子的女友陈晨(周显欣饰)医生的帮助下,深夜划小木船到江心取证,而他的这一举动却被该企业副总发现,夜幕下,副总驾驶摩托艇到江心驱赶…… 《河长》电影2009年开机拍摄,该剧演绎了扑朔迷离的排污罪行,大义灭亲的举报壮举,将父子情、恋人情交织在罪与责之中,揭示出金钱、道义、利益、生命孰轻孰重的浅显道理。 本期专题独家采访了参与《河长》电影拍摄的部分演员、导演、编剧及制片人,从他们的言谈中,体现出了他们对当下环境的关注。


秦伟

发表于1分钟前

回复 :时尚现代的动漫之都东京,是二次元与三次元交汇的地方。因为误打误撞,女主角误入二次元世界,邂逅深情款款的漫画少年。如同少女漫画中的情节一样,两人一同逛集市、约会,度过许多欢乐美好的时光。渐渐地,盖天天开始适应在二次元世界的生活,发现即使是留在二次元里也没什么不好。然而,通往三次元的钥匙却在这个适合失而复得。


吴克羣

发表于7分钟前

回复 :朱丽叶特·刘易斯、格蕾丝·范·帕滕、米娅·高斯将出演以女性为主导的奇幻动作片[求救信号](Mayday,暂译)。本片是导演兼编剧Karen Cinorre的处女作,目前正在拍摄中。故事讲述了一个名叫安娜(范·帕滕饰)的年轻女子被送到了一个梦幻而危险的地方,在那里她加入了一群女兵,在崎岖的海岸上进行着一场永无休止的战争。虽然她在这个令人振奋的世界中找到了力量,但她意识到她并不是他们希望她成为的杀手,所以她必须使用她的新生力量来试图战胜她的生活。


猜你喜欢
连环杀手的生活指南
热度
37726
点赞

友情链接:

当世界分离> 爷们雄起> 模仿游戏> 9413> 极南之地> 东山晴后雪> 辍学生> 女神降临> 早餐俱乐部> 圣斗士星矢:十二宫骑士>