在韩国警察系统中存在着一个特殊的部门——监视班，亚洲该班有一群貌不惊人但拥有高超分析能力和跟踪技巧的探员组成。在班长黄尚钟（薛景求 饰）的指挥下，亚洲监视班一次次抓获狡猾罪犯，将他们绳之于法。某日，一腔热血的警员河允珠（韩孝珠 饰）以优异的成绩通过黄班长极为苛刻的测试，成为监视班的一员，代号“花猪”。虽然初出茅庐略显青涩，但花猪很快凭借其缜密的分析能力赢得班长的信任。与此同时，以詹姆士（郑雨盛 饰）为首的一组犯罪分子正策划对证券交易所的秘密行动。虽然已经获得罪犯的蛛丝马迹，但詹姆士极其狡猾，拥有超高的反侦查能力。一系列高端的猫鼠游戏在闹市中央相继展开……
陆虎
回复 :坐落于西印度群岛的加曼群岛，椰林树影，水清沙幼，与比邻的迈阿密城不过1个多小时机程。岛上居民过4万，近一半都是来自世界各地的移民与商人，混迹在五颜六色的人群中，或许是迈阿密破产商人瑞德雷（比尔·帕克斯顿）能想到的最好藏身方法，于是在联邦政府正式上门追讨他欠下的巨额税务之前他就带着女儿琵葩和百万美圆逃到了远在五百公里外的热带小岛了。瑞德雷上岛的第一件事便是四处打听可以帮助他洗掉一百万黑钱的银行，却没注意到女儿初来乍到就被本地小混混弗里兹（Victor Rasuk）迷得忘乎所以，更没想到弗里兹背后的大债主-岛上的黑帮头子（斯蒂芬·迪兰）-也盯上了他。弗里兹的好朋友-英国渔民夏尔（奥兰多·布鲁姆）爱上了本地富商千金安德丽娅（祖·萨尔唐娜），两人顶着悬殊的阶层压力终于爆发了内心的激情却被安德丽娅父兄撞破。为了惩罚穷移民对家族名望的玷污，安德丽娅父兄对夏尔狠下了毒手。惨遭毁容的夏尔失去了爱人和对生活的憧憬，绝望连同对小岛污浊暗涌的憎恨化作复仇的怒火。这个现代罗密欧与朱丽叶的悲剧在弗里兹进入后，走向另一个悲剧的结局。
黄慧音
回复 :大同商人薛衍（田野），字子奇，好武行俠，義服鄉里。某日，與友人萬子淵，解貨遠行，途遇黃金賊，子奇單刀奮戰，不支被擒，萬姓友人慘遭焚斃，屍身焦爛。管家薛保（葛香亭）老眼昏花，誤認子奇燒死，踉蹌報喪，薛府上下舉哀。子奇妻張氏（李虹），妾劉氏（李芷麟），王氏（伍秀芳），皆麗人。張氏有子，小名倚哥（游龍），嬌生慣養，儼然小霸王，腳踢齒咬，人多生畏。三娘王春娥，尤其不敢親近。其時，匪徒來家勒索，張劉二氏與司賬薛安通（金石），暗攜金銀細軟棄家遠逃...
刘子菲
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
