剧情简介
在这部日本动作科幻片中，兹心性感的亚纱美和小泽玛利亚饰演两位美丽正义的战士，她们在广场拉响战斗的号角。
兹心
在这部日本动作科幻片中，兹心性感的亚纱美和小泽玛利亚饰演两位美丽正义的战士，她们在广场拉响战斗的号角。
王绎龙
回复 :一帮老友驾驶一艘豪华游艇出海为好友庆生，酒足饭饱之后，大家开始一个个跳入海中游泳。患有恐水症的艾米（苏珊·梅·普拉特 Susan May Pratt 饰）被抛入海水之后引起一阵恐怖，大家想赶紧把她送回船上，可是这才发现居然没人记得放下梯子。船身太高，一伙人想尽办法都不能爬上船去。此时，留在船上的只有一个婴儿，蓝天碧海对于悬浮于海面的六个老友来说变成了绝境，死亡的阴影在满是恐慌的人们之间迅速蔓延。看着好友一个个死去，一息尚存的人们仍然在寻找着最后的生机。暮色将至，一场暴风雨即将来临，是否有人能够穿越死亡的阴霾爬上游艇，生与死的较量在茫茫海面悲情上演。
李茂山
回复 :在摩登的迈阿密，闪闪发亮的摩天大楼成为这个黑色电影惊悚片的背景。某个连环杀手谋杀了多个漂亮的模特，而一个年轻且成功的时尚摄影师被当作最大的嫌疑人。随著越来越多的女性被谋杀，他必须在这场游戏中洗去他的罪名，且努力存活下来。他将揭露这个城市中隐藏在神祕幕后的黑暗秘密。
陈少华
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
