川岛爱
发表于9分钟前
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:百万富翁乔治·维德(休·格兰特 Hugh Grant 饰)的衣食住行都倚赖公司的律师露西·凯尔森(桑德拉·布洛克 Sandra Bullock 饰)。露西条理分明,但也有点神经质。而露西喜欢上了聪明,迷人的乔治。她一直在帮助乔治打点从服装到离婚案的所有大小事件,但乔治并没有什么表示。五年过去了,露西终要停止这一切。 乔治一开始不想让露西走,但最终还是答应了她,但他有个要求,让露西找个人来代替她。经过寻找,露西雇佣了一个年轻漂亮又野心勃勃的律师琼(艾丽西亚·维特 Alicia Witt 饰)。琼对她富有的新老板很感兴趣,而乔治也仿佛受到她的吸引。露西终于摆脱了乔治,准备和自己忠心耿耿的男朋友一起去海上旅行。失去露丝后,乔治也像失去了一个近身知己,接替的人如何主动献身也填补不了他精神上的失落。原来,一切彼此最需要的就在身边,只是一直未曾为意,漏了眼的缘份,知道会否太迟?
郭美美
发表于2分钟前
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:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.