马古先生（莱斯利·尼尔森 Leslie Nielsen 饰）是个家财万贯的亿万富翁，系列可是年事已高的他不仅近视的厉害，系列连脑袋也有些糊涂了，他竟然将价值连城的红宝石捐赠给了慈善事业。马古先生的这一壮举惹来了犯罪团伙的虎视眈眈，他们发誓，不将红宝石揣到自己的兜里誓不罢休。不只是幸运还是不幸，在一番波折后，红宝石还是回到了马古先生的身边。未能得逞的罪犯们又想出一计，他们派出了性感漂亮的美女劳妮（凯莉·林奇 Kelly Lynch 饰），企图用一招美人计拿下马古先生。然而，就在劳妮快要成功上垒之时，马古先生的外甥沃尔多（马特·基斯拉 Matt Keeslar 饰）识破了罪犯们的诡计，他们的计划再次流产。
李逸朗
回复 :1996年，北海道道东。因一次不容错过的考试，美丽的女孩平泽纱枝（新垣结衣 饰）邂逅了阳光爽朗的男孩木内康平（生田斗真 饰）。不过这次相逢并不顺利，康平因驾驶汽车出了车祸延误了纱枝的考试，自己也被学校责令退学。糟糕的开始并非有一个糟糕的结局，康平与纱枝由此相知相恋，结为情侣。随着毕业的临近，他们的感情也面临着考验。康平继承家业，成为一名与大海搏斗的渔夫，纱枝则经过艰辛的备战，考上了东京的名府早稻田大学，时间和空间成为他们之间最大的障碍。在此期间，康平的家面临破产，生计举步维艰。纱枝也在求职的道路上不断受挫。两人的恋情似乎慢慢走向了消亡……本片创意来自根据一青窈的同名歌曲。
女子十二乐坊
回复 :尼克（蒂尔·施威格 Til Schweiger 饰）的生活乏善可陈，无所事事的他遭到了继父海因里希（Michael Mendl 饰）和哥哥维克托（Steffen Wink 饰）的蔑视，他们相信他终将一事无成。在这些负面的能量中，至始至终有一个声音温柔的支撑着尼克，它来自他的母亲凯勒夫人（娜佳·蒂勒 Nadja Tiller 饰）。在一家精神病院钟，尼克谋得了一份职位，也是在这里，他遇见了那个名为利拉（乔娜·沃卡莱克 Johanna Wokalek 饰）的女孩，绝望的利拉一心寻死，是尼克的及时出现挽救了她的性命。就这样，一段奇妙的缘分将尼克和利拉联结在了一起，而自己生活本来就一团糟的尼克能否处理好自己和利拉之间的关系呢？
薄荷叶
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
