1922年，寝侵一个四口带着捡来的女孩喜鹊逃荒流亡到铁路线上的一个城市。6年时间过去，寝侵大儿子梁承文与父亲到外国资本家开办的机械厂里做工，母亲帮人洗衣缝补，一家人勉强糊口。承文在党员老邓的培养下加入了共产党，领导工人开展革命运动。父亲在生日这天因劳累过度不幸被烧死，母亲由此更加领悟革命的真理，积极帮党做事，并光荣入党。因叛徒出卖，老邓、承文等人被捕，老邓不幸牺牲，母亲与党组织失去联系。8年后，母亲得知承文出狱的喜讯，前往北平去见儿子，却因承文临时有任务未能见到。不久后，母亲与党组织终于重新联系上，大家计划组织武装暴动。1938年暴动成功，母亲护送被追捕的党员到了根据地，回城时，却发现喜鹊被特务头子抢走，自己也随即被捕。6年后，日寇投降，母亲出狱又立即接受党组织的新任务，喜鹊也积极帮党组织工作。母女二人在解放军与敌人激烈斗争关头，冒着生命危险为我军传送重要情报。城市终于被解放，一家人终于重逢。
江美琪
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
龙飘飘
回复 :Surf Girls Hawaii follows the next generation of Native Hawaiian female surfers, as they compete at an elite level to earn a coveted spot on the World Tour of professional Surfing. This 4-part docuseries offers behind the scenes access to five of the sport’s most exciting young stars – Moana Jones Wong, Ewe Wong, Maluhia Kinimaka, Pua DeSoto, and Brianna Cope – as they train, navigate family responsibilities, and compete against the highest-ranking surfers in the world to get to the top of the podium.
吻乐队
回复 :性格内向的青年梅原一树（八户亮 饰）因女友尚子（あびる優 饰）之死而精神崩溃，经过一段时间的治疗后一树回归社会，并且进入一家模型制造厂工作。在此他结识了新的朋友，也意外见到公司的女老板——与死去的尚子有着相同容貌的富江（あびる優 饰）。工厂的男同事全部围绕在富江的周围，任其差遣，几近疯狂。而富江似乎唯恐被人杀害，授意男人们寻找追杀意图伤害她的仇家。原来富江是一个不死的女人，她被割下的身体可以无限生长复制，同时富江和富江之间又会彼此杀害。一树忘不掉尚子，也不愿沾染工厂的疯狂气氛。只是随着富江们相继出现，他已深陷其中……本片根据伊藤润二的同名系列恐怖漫画改编。
